Cannes Film Festival

Inverse's coverage of the Cannes Film Festival, from reviews, to interviews, and more.

CANNES, FRANCE - MAY 25: Francis Ford Coppola (R) presents the Honorary Palme D’Or Award to George L...
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Cannes 2024 Review
Megalopolis Is A Beautiful Disaster

Francis Ford Coppola’s ambitious sci-fi epic is both everything we feared it would be and everything we hoped it would be.

by Hoai-Tran Bui
Review

'Sheep In The Box' Is An A.I. Reckoning In Search Of An Ending

By Siddhant Adlakha

Hirokazu Kore-eda’s latest is a meandering sci-fi film on digital resurrection.

Trailers

We May Have Already Found The Wildest Sci-Fi Movie Of The Year

By Dais Johnston

Not since Star Wars have we seen such a new Hope.

Review

'Teenage Sex and Death at Camp Miasma' Is Deeply Weird, Deeply Queer, and Utterly Singular

By Katie Rife

Teenage Sex and Death at Camp Miasma is an erotic dramedy in drag as an ‘80s slasher, and it’s a movie that only Jane Schoenbrun could make.

Review

'Honey Don’t!' Shows Ethan Coen At Odds With Himself

By Hoai-Tran Bui

Ethan Coen’s next solo effort is a mess of tones anchored by a terrific Margaret Qualley.

Review

'The Phoenician Scheme' Reveals The Limits Of Wes Anderson's Style

By Siddhant Adlakha

The espionage farce features all of its author’s flourishes, but none of the charm or self-reflection.

Review

'Mission: Impossible - The Final Reckoning' Is Both The Best And Worst Of The Franchise

By Rory Doherty

One last time.

Movies

Francis Ford Coppola's 'Megalopolis' Finally Has a US Release Date

By Hoai-Tran Bui

How are they going to pull this off?

Cannes 2024 Review

'Emilia Pérez' is a Weird, Unexpected Triumph

By Hoai-Tran Bui

A trans musical crime comedy shouldn’t be as good as this.

Cannes 2024 Review

'Rumours' is a Hilariously Big-Brained Satire of the Apocalypse

By Hoai-Tran Bui

A giant glowing brain is the least weird part of this side-splitting oddball.

(No) New Hope

George Lucas Explains Why You’ll Never See A 4K Restoration of 'A New Hope'

By Hoai-Tran Bui

"I’m a firm believer that the director, or the writer, or the filmmaker should have a right to have his movie be the way he wants it."