Steph is a freelance writer and film critic from London, UK. Her work has previously appeared in Vogue, Indiewire, Sight & Sound, Bright Wall/Dark Room, Roger Ebert, Little White Lies, and elsewhere. She is at her happiest when defending maligned 90s thrillers or attending a film festival.
David Fincher's Messy New Crime Thriller Fails to Subvert His Best Movies
The Killer’s biggest problem? It doesn’t commit to the bit.
'Poor Things' is an Absurdist Masterpiece
With his tantalizingly twisted Frankenstein riff, Yorgos Lanthimos has made his best and weirdest movie to date.
White Noise review: Noah Baumbach’s apocalyptic new movie may be the most American film ever made
The adaptation about an “airborne toxic event” has plenty to say about death, family, and our addiction to spectacle.
50 years ago, Watergate changed the American political thriller forever
“Hollywood stars used to play cowboys and generals. Now they're wiretappers and assassins, or targets.”